The Bolt High-Speed CinebotTM is the fastest of its kind – capturing images in crisp focus that would be impossible by hand or any other method. Whether shooting commercials, tabletop work, film or television, the Bolt adds an entirely new perspective to filming.
Maximum Height |
3.5m / 11’5” |
Lowest Position |
0m / 0’ |
Maximum reach (from rotate centre) |
2.0m / 6’6” |
Maximum camera payload |
20kg / 44lbs |
Track |
Unlimited range of travel @ 4.5m/s |
Rotate |
+/- 160 ̊ range of travel @ 240 ̊/s |
Lift |
+/- 137 ̊ range of travel @ 240 ̊/s |
Arm |
+/- 150 ̊ range of travel @ 300 ̊/s |
Pan |
+/- 270 ̊ range of travel @ 350 ̊/s |
Tilt |
+/- 120 ̊ / -105 ̊ range of travel @ 350 ̊/s |
Roll |
+/- 270 ̊ range of travel @ 870 ̊/s |
Vertical shooting speed |
1m (3’3”) vertical movement /0.5s |
Horizontal shooting speed |
1m (3’3”) horizontal movement /0.5s |
Arc shooting speed |
Complete 180 ̊ arc with 75cm (2’5”) radius /1.5s |
Frame rates |
From 80 to 2.080 fps |
Ground glass |
Standard ASC / Tv Safe |
Reflex viewfinder |
Continue reflex viewfinder. The viewfinder image is mirrored out by a beam splitter. This allows continual view during the take. |
Light loss |
The beam splitter takes about 1/2 stop. |
Lenses |
Medium format Pentax 645. |
Lens available |
SMC Pentax 645 35 mm F3,5 |
Operating voltage |
115 VAC, 60Hz, Single phase. |
Current draw |
60A (run-up peak) |
Film |
35mm negative (normal stock, BH 4740 perforation,1866” pitch). |
Magazines |
Four 1000 feet (305m) magazines. |
Shutter |
Fixed 72° rotary shutter. |
Movement |
The film is transported by a large sprocket and the image projected on the film by four sided prism. |
Image steadiness |
The image made with any prism camera is not as steady as the image made with a claw camera. |
Video assist |
Pal color video assist with shutter speed till 1/10.000 sec. |
Ground glass |
Standard 16mm/Tv Safe or 1:85 |
Frame rates |
24/ 48/ 100/ 200/ 300/ 400/ 500 fps |
Voltage |
28V DC |
Current draw |
12 A (max) |
Film |
16mm negative double-perf stock (2R). The camera runs with regular stock on max speed. |
Magazines |
2 Mags each 400ft (122m) load |
Exposure times |
The variable shutter, allow to control of the exposure time independent from the used frame rate. |
Shutter |
160°/ 120°/ 90°/ 60°/ 45°/ 30°/ 22,5°/ 15°/ 7,5° |
Footage counter |
The AM500 is fitted with an indicator in each magazine |
Run-up, Run-down |
The camera requires very brief run-up and run-down times. The Run up to 500 fps lasts about 3 seconds, the run-down about 2 seconds. At lower frame rates, these times are shorter. |
Film transport |
2 pull-down claws |
Reflex viewfinder |
Continue reflex viewfinder. The viewfinder image is mirrored out by a beam splitter. This allows continual view during the take. |
Light loss |
The beam splitter takes about 1/2 stop. |
Lenses |
All Lenses with PL mount (with restrictions). |
Zeiss Zoom |
11 -110mm T 2,2 |
Boroscope lens |
Innovision 16mm T 2,8 (incl. 7 / 18 / mm lenses) |
Video assist |
CEI colour V PAL video camera. |
Tripod |
Any tripod with fluid head with a load capacity for 10Kg cameras. Or a “Pistol Grip” witch provides On/Off camera triggering control for hand-held situations. |
Ground glass |
Standard 16mm/Tv Safe |
Frame rates |
24/ 32/ 48/ 64/ 96/ 200/ 360 fps |
Voltage |
28V DC |
Current draw |
12 A (max) |
Film |
16mm negative single-perf stock (1R). The camera runs with regular stock on max speed. |
Magazines |
3 Mags each 400ft (122m) load |
Shutter |
Fixed 160° |
Footage counter |
The AM500 is fitted with an indicator in each magazine |
Run-up, Run-down |
The camera requires very brief run-up and run-down times. The Run up to 360 fps lasts about 3 seconds, the run-down about 2 seconds. At lower frame rates, these times are shorter. |
Film transport |
1 pull-down claws |
Reflex viewfinder |
Continue reflex viewfinder. The viewfinder image is mirrored out by a beam splitter. This allows continual view during the take. |
Light loss |
The beam splitter takes about 1/2 stop. |
Lenses |
All Lenses with Nikon F mount (with restrictions). |
Tripod |
Any tripod with fluid head with a load capacity for 10Kg cameras. Or a shoulder mount for hand-held situations. |
Image steadiness |
Since the camera was modified in S16 to accept regular 1R stock losing one pull down and one register pin, the image is slightly waving and it need to be stabilized in post-production. |
Ground glass |
Standard 16mm/Tv Safe |
Frame rates |
24/ 48/ 100/ 200/ 300/ 400/ 500 fps |
Voltage |
28V DC |
Current draw |
12 A (max) |
Film |
16mm negative double-perf stock (2R). |
Magazines |
2 Mags each 400ft (122m) load |
Exposure times |
The variable shutter, allow to control of the exposure time independent from the frame rate. |
Shutter |
160°/ 120°/ 90°/ 60°/ 45°/ 30°/ 22,5°/ 15°/ 7,5° |
Footage counter |
The AM500 is fitted with an indicator in each magazine |
Run-up, Run-down |
The camera requires very brief run-up and run-down times. The Run up to 500 fps lasts about 3 seconds, the run-down about 2 seconds. At lower frame rates, these times are shorter. |
Film transport |
2 pull-down claws |
Reflex viewfinder |
Continue reflex viewfinder. The viewfinder image is mirrored out by a beam splitter. This allows continual view during the take. |
Light loss |
The beam splitter takes about 1/2 stop. |
Lenses |
All Lenses with ARRI bayonet mount (with restrictions). |
Zoom cooke |
Varokinetal 9-50mm T 2,5 |
Tripod |
Any tripod with fluid head with a load capacity for 10Kg cameras. Or a “Pistol Grip” witch provides On/Off camera triggering control for hand-held situations. |